'I haven't heard it since I was
a boy, and how it comes into my head now, unless the lightning put it
there, I don't know. "Can't hurt the dead"! No, no. "And won't save the
head"! No, no. No! Ha, ha, ha!'
His mirth was of such a savage and extraordinary character, and was,
in an inexplicable way, at once so suited to the night, and yet such
a coarse intrusion on its terrors, that his fellow-traveller, always
a coward, shrunk from him in positive fear. Instead of Jonas being his
tool and instrument, their places seemed to be reversed. But there was
reason for this too, Montague thought; since the sense of his debasement
might naturally inspire such a man with the wish to assert a noisy
independence, and in that licence to forget his real condition. Being
quick enough, in reference to such subjects of contemplation, he was not
long in taking this argument into account and giving it its full weight.
But still, he felt a vague sense of alarm, and was depressed and uneasy.
He was certain he had not been asleep; but his eyes might have deceived
him; for, looking at Jonas now in any interval of darkness, he could
represent his figure to himself in any attitude his state of mind
suggested.
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