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Various

"The Atlantic Monthly, Volume 05, No. 31, May, 1860"

The Grecians were
encamped at a short distance. All had round, basket-work shields,--some
with their names painted on them in great letters, and some with an odd
device, such as a cat or pig. There were Ulysses, Agamemnon, Ajax,
Nestor, Patroclus, Diomedes, Achilles, "all honorable men." The drama
commenced with the issuing of Paris and Helen from the walls of
Troy,--he in a tall, black French hat, girdled with a gilt crown, and
she in a white dress, with a great wig hanging round her face in a
profusion of carrotty curls. Queer figures enough they were, as they
stepped along together, caricaturing love in a pantomime, he making
terrible demonstrations of his ardent passion, and she finally falling
on his neck in rapture. This over, they seated themselves near by two
large pasteboard rocks, he sitting on his shield and taking out his
flute to play to her, while she brought forth her knitting and ogled
him as he played. While they were thus engaged, came creeping up with
the stage stride of a double step, and dragging one foot behind him,
Menelaus, whom Thersites had, meantime, been taunting, by pointing at
him two great ox-horns. He walked all round the lovers, pantomiming
rage and jealousy in the accredited ballet style, and then, suddenly
approaching, crushed poor Paris's great black hat down over his eyes.


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