Submerged in its body, Boaz caught the
note of the town bell striking midnight.
Once more, after a long time, he heard footfalls. He heard them
coming around the corner of the shop from the house, footfalls half
swallowed by the wind, passing discreetly, without haste, retreating,
merging step by step with the huge, incessant background of the wind.
Boaz's muscles tightened all over him. He had the impulse to start up,
to fling open the door, shout into the night, "What are you doing?
Stop there! Say! What are you doing and where are you going?"
And as before, the curious impotence of the spectator held him
motionless. He had not stirred in his chair. And those footfalls,
upon which hinged, as it were, that momentous decade of his life,
were gone.
There was nothing to listen for now. Yet he continued to listen.
Once or twice, half arousing himself, he drew toward him his
unfinished work. And then relapsed into immobility.
As has been said, the wind, making little difference to the ears,
made all the difference in the world with the sense of feeling and
the sense of smell. From the one important direction of the house.
That is how it could come about that Boaz Negro could sit, waiting
and listening to nothing in the shop and remain ignorant of disaster
until the alarm had gone away and come back again, pounding, shouting,
clanging.
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