The room where the Brenner family lived its queer, taciturn life was
tapestried in gold, the glowing tapestry of swarms of outspread
yellow butterflies sweeping in gilded tides from the rough floors to
the black rafters overhead.
Olga Brenner herself was no less tragic than her family. On her face,
written in the acid of pain, was the history of the blows and
cruelty that had warped her active body. Because of her crippled foot,
her entire left side sagged hopelessly and her arm swung away, above
it, like a branch from a decayed tree. But more saddening than her
distorted body was the lonely soul that looked out of her tired,
faded eyes.
She was essentially a village woman with a profound love of its
intimacies and gossip, its fence-corner neighbourliness. The horror
with which the village regarded her, as the wife of Mart Brenner,
was an eating sore. It was greater than the tragedy of her poor,
witless son, the hatred of old Mrs. Brenner, and her ever-present
fear of Mart. She had never quite given up her unreasoning hope that
some day some one might come to the house in one of Mart's long,
unexplained absences and sit down and talk with her over a cup of tea.
She put away the feeble hope again as she turned back into the dim
room and closed the door behind her.
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