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Le Gallienne, Richard, 1866-1947

"Young Lives"

He feels like a being on the confines of two worlds and
belonging to neither, awkwardly suspended 'twixt fact and fancy. The
actor for a while has laid aside his part and forgotten his wig and his
make-up. As he talks to you, he is thinking of himself merely as a
private individual; whereas his visitor cannot forget that in appearance
he is a king, or an eighteenth-century dandy, or--though you know him
well enough as a clean-shaven young man of thirty--a bowed and wrinkled
greybeard. The visitor's voice rings thin and hestitating. It cannot
strike the right pitch, and generally he does himself no sort
of justice.
Perhaps, however, it was because Mike had been born for this world in
which now for the first time he found himself, that he suffered from
none of this embarrassment; perhaps, too, it was some half-conscious
instinct of his own gifts that made him quite self-contained in the
presence of acknowledged distinction, so self-contained that you might
have thought he had no reverence. As he had passed across the stage, he
had eyed that mysterious behind-the-scenes rather with the eye of a
future stage-manager, than of a youth all whose dreams converged at this
point, and at this moment.


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