Now,
that's the way you should choose women. Their cleverness 'll never come
to much--never come to much--but they make excellent simpletons, ripe
and strong-flavoured."
"What dost say to that?" said Mr. Poyser, throwing himself back and
looking merrily at his wife.
"Say!" answered Mrs. Poyser, with dangerous fire kindling in her
eye. "Why, I say as some folks' tongues are like the clocks as run
on strikin', not to tell you the time o' the day, but because there's
summat wrong i' their own inside..."
Mrs. Poyser would probably have brought her rejoinder to a further
climax, if every one's attention had not at this moment been called to
the other end of the table, where the lyricism, which had at first only
manifested itself by David's sotto voce performance of "My love's a rose
without a thorn," had gradually assumed a rather deafening and complex
character. Tim, thinking slightly of David's vocalization, was impelled
to supersede that feeble buzz by a spirited commencement of "Three Merry
Mowers," but David was not to be put down so easily, and showed himself
capable of a copious crescendo, which was rendering it doubtful whether
the rose would not predominate over the mowers, when old Kester, with
an entirely unmoved and immovable aspect, suddenly set up a quavering
treble--as if he had been an alarum, and the time was come for him to go
off.
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