Some will perhaps think that they detect in the first quatrain
an indication of a lost line, which later rhapsodists, failing in
imaginative vigour, have supplied by the feeble device of iteration.
Others, however, may rather maintain that this very iteration is an
original felicity, to which none but the most prosaic minds can be
insensible.
The ceremony connected with the song was a drinking ceremony. (That
is perhaps a painful fact, but then, you know, we cannot reform our
forefathers.) During the first and second quatrain, sung decidedly
forte, no can was filled.
Here's a health unto our master,
The founder of the feast;
Here's a health unto our master
And to our mistress!
And may his doings prosper,
Whate'er he takes in hand,
For we are all his servants,
And are at his command.
But now, immediately before the third quatrain or chorus, sung
fortissimo, with emphatic raps of the table, which gave the effect of
cymbals and drum together, Alick's can was filled, and he was bound to
empty it before the chorus ceased.
Then drink, boys, drink!
And see ye do not spill,
For if ye do, ye shall drink two,
For 'tis our master's will.
When Alick had gone successfully through this test of steady-handed
manliness, it was the turn of old Kester, at his right hand--and so on,
till every man had drunk his initiatory pint under the stimulus of the
chorus.
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