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Eliot, George, 1819-1880

"Adam Bede"

For the beauty of a lovely woman is
like music: what can one say more? Beauty has an expression beyond and
far above the one woman's soul that it clothes, as the words of genius
have a wider meaning than the thought that prompted them. It is more
than a woman's love that moves us in a woman's eyes--it seems to be a
far-off mighty love that has come near to us, and made speech for itself
there; the rounded neck, the dimpled arm, move us by something more
than their prettiness--by their close kinship with all we have known
of tenderness and peace. The noblest nature sees the most of this
impersonal expression in beauty (it is needless to say that there are
gentlemen with whiskers dyed and undyed who see none of it whatever),
and for this reason, the noblest nature is often the most blinded to
the character of the one woman's soul that the beauty clothes. Whence, I
fear, the tragedy of human life is likely to continue for a long time
to come, in spite of mental philosophers who are ready with the best
receipts for avoiding all mistakes of the kind.
Our good Adam had no fine words into which he could put his feeling for
Hetty: he could not disguise mystery in this way with the appearance of
knowledge; he called his love frankly a mystery, as you have heard him.


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