How Hetty's heart beat as Arthur approached her! He had hardly looked at
her to-day: now he must take her hand. Would he press it? Would he look
at her? She thought she would cry if he gave her no sign of feeling.
Now he was there--he had taken her hand--yes, he was pressing it. Hetty
turned pale as she looked up at him for an instant and met his eyes,
before the dance carried him away. That pale look came upon Arthur like
the beginning of a dull pain, which clung to him, though he must dance
and smile and joke all the same. Hetty would look so, when he told her
what he had to tell her; and he should never be able to bear it--he
should be a fool and give way again. Hetty's look did not really mean
so much as he thought: it was only the sign of a struggle between the
desire for him to notice her and the dread lest she should betray the
desire to others. But Hetty's face had a language that transcended her
feelings. There are faces which nature charges with a meaning and pathos
not belonging to the single human soul that flutters beneath them, but
speaking the joys and sorrows of foregone generations--eyes that tell of
deep love which doubtless has been and is somewhere, but not paired with
these eyes--perhaps paired with pale eyes that can say nothing; just as
a national language may be instinct with poetry unfelt by the lips that
use it.
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