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Eliot, George, 1819-1880

"Adam Bede"

It would have been an exasperating fact to him, if he had known
it, that the general attention was too thoroughly absorbed by Ben's
dancing for any one to give much heed to the music.
Have you ever seen a real English rustic perform a solo dance? Perhaps
you have only seen a ballet rustic, smiling like a merry countryman in
crockery, with graceful turns of the haunch and insinuating movements
of the head. That is as much like the real thing as the "Bird Waltz" is
like the song of birds. Wiry Ben never smiled: he looked as serious as a
dancing monkey--as serious as if he had been an experimental philosopher
ascertaining in his own person the amount of shaking and the varieties
of angularity that could be given to the human limbs.
To make amends for the abundant laughter in the striped marquee, Arthur
clapped his hands continually and cried "Bravo!" But Ben had one admirer
whose eyes followed his movements with a fervid gravity that equalled
his own. It was Martin Poyser, who was seated on a bench, with Tommy
between his legs.
"What dost think o' that?" he said to his wife. "He goes as pat to the
music as if he was made o' clockwork. I used to be a pretty good un at
dancing myself when I was lighter, but I could niver ha' hit it just to
th' hair like that.


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