And I would not, even if I had
the choice, be the clever novelist who could create a world so much
better than this, in which we get up in the morning to do our daily
work, that you would be likely to turn a harder, colder eye on the
dusty streets and the common green fields--on the real breathing men
and women, who can be chilled by your indifference or injured by your
prejudice; who can be cheered and helped onward by your fellow-feeling,
your forbearance, your outspoken, brave justice.
So I am content to tell my simple story, without trying to make things
seem better than they were; dreading nothing, indeed, but falsity,
which, in spite of one's best efforts, there is reason to dread.
Falsehood is so easy, truth so difficult. The pencil is conscious of a
delightful facility in drawing a griffin--the longer the claws, and
the larger the wings, the better; but that marvellous facility which
we mistook for genius is apt to forsake us when we want to draw a real
unexaggerated lion. Examine your words well, and you will find that even
when you have no motive to be false, it is a very hard thing to say the
exact truth, even about your own immediate feelings--much harder than to
say something fine about them which is NOT the exact truth.
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