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Eliot, George, 1819-1880

"Adam Bede"

I
might mention all the divine charms of a bright spring day, but if you
had never in your life utterly forgotten yourself in straining your eyes
after the mounting lark, or in wandering through the still lanes when
the fresh-opened blossoms fill them with a sacred silent beauty like
that of fretted aisles, where would be the use of my descriptive
catalogue? I could never make you know what I meant by a bright spring
day. Hetty's was a spring-tide beauty; it was the beauty of young
frisking things, round-limbed, gambolling, circumventing you by a
false air of innocence--the innocence of a young star-browed calf, for
example, that, being inclined for a promenade out of bounds, leads you
a severe steeplechase over hedge and ditch, and only comes to a stand in
the middle of a bog.
And they are the prettiest attitudes and movements into which a pretty
girl is thrown in making up butter--tossing movements that give a
charming curve to the arm, and a sideward inclination of the round white
neck; little patting and rolling movements with the palm of the hand,
and nice adaptations and finishings which cannot at all be effected
without a great play of the pouting mouth and the dark eyes. And then
the butter itself seems to communicate a fresh charm--it is so pure,
so sweet-scented; it is turned off the mould with such a beautiful
firm surface, like marble in a pale yellow light! Moreover, Hetty was
particularly clever at making up the butter; it was the one performance
of hers that her aunt allowed to pass without severe criticism; so she
handled it with all the grace that belongs to mastery.


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