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Cather, Willa Sibert, 1873-1947

"My Antonia"

`If I
take a drink in Black Hawk, Molly knows it in Omaha!'
His guests laughed and slapped him on the shoulder. `Oh, we'll make it all
right with Molly. Get your back up, Johnnie.'
Molly was Mrs. Gardener's name, of course. `Molly Bawn' was painted in
large blue letters on the glossy white sides of the hotel bus, and `Molly'
was engraved inside Johnnie's ring and on his watch-case--doubtless on his
heart, too. He was an affectionate little man, and he thought his wife a
wonderful woman; he knew that without her he would hardly be more than a
clerk in some other man's hotel.
At a word from Kirkpatrick, d'Arnault spread himself out over the piano,
and began to draw the dance music out of it, while the perspiration shone
on his short wool and on his uplifted face. He looked like some glistening
African god of pleasure, full of strong, savage blood. Whenever the
dancers paused to change partners or to catch breath, he would boom out
softly, `Who's that goin' back on me? One of these city gentlemen, I bet!
Now, you girls, you ain't goin' to let that floor get cold?'
Antonia seemed frightened at first, and kept looking questioningly at Lena
and Tiny over Willy O'Reilly's shoulder. Tiny Soderball was trim and
slender, with lively little feet and pretty ankles--she wore her dresses
very short.


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