"That looks promising," said Adeline to Lisbeth, smiling so far as she
was able to smile.
The younger Hulot and his wife now came in.
"Is my brother coming to dinner?" asked the Marshal sharply.
Adeline took up a pencil and wrote these words on a scrap of paper:
"I expect him; he promised this morning that he would be here; but if
he should not come, it would be because the Marshal kept him. He is
overwhelmed with business."
And she handed him the paper. She had invented this way of conversing
with Marshal Hulot, and kept a little collection of paper scraps and a
pencil at hand on the work-table.
"I know," said the Marshal, "he is worked very hard over the business
in Algiers."
At this moment, Hortense and Wenceslas arrived, and the Baroness, as
she saw all her family about her, gave the Marshal a significant
glance understood by none but Lisbeth.
Happiness had greatly improved the artist, who was adored by his wife
and flattered by the world. His face had become almost round, and his
graceful figure did justice to the advantages which blood gives to men
of birth. His early fame, his important position, the delusive
eulogies that the world sheds on artists as lightly as we say, "How
d'ye do?" or discuss the weather, gave him that high sense of merit
which degenerates into sheer fatuity when talent wanes.
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