Artists who were consulted, and among them Stidmann, were of opinion
that the man who had sketched those two models was capable of
achieving a statue. The Marshal Prince de Wissembourg, Minister of
War, and President of the Committee for the subscriptions to the
monument of Marshal Montcornet, called a meeting, at which it was
decided that the execution of the work should be placed in Steinbock's
hands. The Comte de Rastignac, at that time Under-secretary of State,
wished to possess a work by the artist, whose glory was waxing amid
the acclamations of his rivals. Steinbock sold to him the charming
group of two little boys crowning a little girl, and he promised to
secure for the sculptor a studio attached to the Government
marble-quarries, situated, as all the world knows, at Le Gros-Caillou.
This was a success, such success as is won in Paris, that is to say,
stupendous success, that crushes those whose shoulders and loins are
not strong enough to bear it--as, be it said, not unfrequently is the
case. Count Wenceslas Steinbock was written about in all the
newspapers and reviews without his having the least suspicion of it,
any more than had Mademoiselle Fischer. Every day, as soon as Lisbeth
had gone out to dinner, Wenceslas went to the Baroness' and spent an
hour or two there, excepting on the evenings when Lisbeth dined with
the Hulots.
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